Mastering For Vinyl Tips

Izotope rx 7 s de ess module does an excellent job of isolating harsh sibilance with a transparency that s suitably unobtrusive to the overall sound of the master.

Mastering for vinyl tips.

Due to the physical nature of the cutting and playback process there are a number of considerations and limitations that must be addressed in mastering. Just be careful as digital distortion easily becomes more apparent when transferred to vinyl. For vinyl the optimum source is 24 bit dynamic and limited either extremely lightly or not at all. And therefore many variables are at play.

Most of the issues with vinyl is high end stuff cymbals probably being the biggest thing. Izotope rx 7 s de ess module does an excellent job of isolating harsh sibilance with a transparency that s suitably unobtrusive to the overall sound of the master. Manual de essing of a digital cutting source is also a preferred method for many vinyl cutters and mastering engineers. Don t limit the mixdowns too much.

Don t get me wrong i love it dirty. Manual de essing of a digital cutting source is also a preferred method for many vinyl cutters and mastering engineers. If you re mastering strictly for cd start by setting your final limiter s output ceiling to 0 2 or 0 1 dbfs never to 0 0 or intersample peaks can sneak through and cause distortion on consumer playback devices. Taming them is really important for getting good audio quality on vinyl.

Andre calilhanna audio mastering excerpted from our new guide the musician s guide to vinyl this post digs into post production audio mastering for vinyl records. Remember though there are many dos and donts of de essing. The only way to make sure your master is ideally suited for the vinyl format is by hiring a professional mastering engineer to pre master your material for vinyl. While limiting makes the average level of a digital track louder it will cause lots of trouble at vinyl mastering.

Remember though there are many dos and donts of de essing. Mastering for vinyl when submitting your music for vinyl production it is very important that it has been mastered for the vinyl medium. Applying a low pass filter on the entire mix cutting off around 16k will also help. Vinyl is more popular now than it has been for many years but mastering your music for vinyl requires a different approach to other media.

Mastering for vinyl has its own special set of considerations. The sequencing difference is that delivery from mastering for digital is either individual wav files for download or a single ddpi file for cd replication whereas for vinyl the delivery is generally two wav files one for each side of the record. Luckily joe albano is here to demystify the process using some specialised plugins from the waves abbey road collection.